OCEANIC RUINS
In crafting the Oceanic Ruins performative exercise, my aim was to create an intertwining between the past and the present. Through the resonance of the mobile megaphone transported through Horace's Villa, the timeless echoes of today's Mediterranean sound resonated and vibrated with the Roman imperial heritage infrastructure. This act served as a sonic-tension between ancient imperial heritage and the contemporary complexity of the mobilities of people passing through the same sea. The performative action was intended to evoke a nuanced understanding where the waves of the past and present converge in the same urban landscape.